![]() When unchecking Auto Tone, you’ll notice the image get quite darker, losing its dynamic range. Auto Align and Auto Tone are checked as default preferences, which is fine. As it’s creating an HDR preview, you’ll notice the options on the right side of the screen. Right-click, hover over Photo Merge and select HDR or simply hold Control while striking the “H” key. Select the two images you want to combine. In Adobe Lightroom, the Photo Merge to HDR option is quick and allows a lot of fine-tuning options. Multiple Exposures With Lightroom HDR Merge Let’s look at some options for multiple exposures and how we can merge these files. On the other hand, working from one exposure reduces the risk of ghosting and chromatic aberration, as opposed to merging multiple exposures with HDR software. If you are unable to bracket multiple exposures, expanding the dynamic range in post-production becomes limited and can result in a low-quality image. Long exposure sometimes removes your option to shoot handheld. Ideally, you want to work with a tripod to give yourself the most flexibility in stopping down your aperture, staying at a low ISO and taking long exposures. In that case, you will want to know what your editing options are after the shoot. If the camera didn’t expose the image that way, we should just let it be natural, right? I am not going to go down that rabbit hole-let’s focus on the task at hand.Ī commercial or editorial client will likely require editing images for a greater dynamic range. Even the term Photoshopped starts to sound bad because we equate it with an image looking fake. Whether you are a huge advocate of or are appalled by high-dynamic-range (HDR) photography, we can all agree that it looks Photoshopped. Launch the October 2017 issue of the magazine by logging in or signing up for a free account. Shutter Magazine is the industry’s leading professional photography magazine. ![]() ![]() ![]() Want more information on this article? Get access to video content and additional supporting images. How To Push the Limits of Light With High-Dynamic-Range Editing with Dustin Lucas ![]()
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